It provided a welcome aural balm for his loyal listeners. Winston’s music was pleasant if innocuous, soothing but lacking in nuance, emotional intensity, thematic variation and dynamic tension and release. But, as little soul as it has, that’s the best thing to call it.” People would ask: ‘Is he like Randy Travis? ‘Contemporary instrumental’ is nebulous. “I call what I do ‘rural folk.’ I could call it country, but that would be more confusing. It was a category Winston was quick to distance himself from, albeit without much success. His first album, 1972’s “Ballads and Blues,” made no impact.īut his next album, 1980’s pastoral “Autumn,” put him on the map, along with Windham Hill, the nascent Palo Alto record company that soon became one of the most successful independent labels in the nation.īoth he and Windham Hill became synonymous with New Age. He took piano lessons as a kid, then switched to organ after hearing the debut album by the Doors, whose lead singer, Jim Morrison, had grown up partly in San Diego.īy the 1970s, Winston had turned to solo piano. 11, 1949, in Hart, Mich., and grew up in grew up in Mississippi, Florida and Montana. If slack-key albums are available for people, then I’ve done my job.” “If people remember me for anything,” Winston said, “I hope it’s for helping to make slack-key as visible as other guitar traditions. More specifically, the music he championed on his Dancing Cat record label by such noted Hawaiian slack-key guitarists as Cyril Pahinui and Ray Kane.
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